ott 082012
 

DIANA’S MIRROR

As the Albano lake and Monte Cavo were linked to the sun and to Jupiter, lake Nemi was related to the moon and to the triple goddess Diana. Still now during the summer, the full moon as seen from the town of Nemi is reflected in the lake, and about an hour later in the Tyrrhenian sea (that is the moon three times !).
During the “wake” of 21 august 2002, we observed that around 4.0 h. am, the image of the moon reflected in the water started to be visible close to Diana’s temple along the lake, under the steep wall of the town of Nemi. From that point on, the reflection has crossed the water in about an hour, reaching the opposite shore in a point below the town of Genzano. That night the clouds have hampered the observation of the moon reflected in the sea.

Lake Nemi WP_nemi_lake_from_town.jpg

The lake seen from the town of Nemi, with in the background a strip of the Tyrrhenian sea (photograph Caroline Lawrence).

WP_temple_Diana.jpg

Northern border of the Nemi lake; the remains of Diana’s sanctuary are ( just) visible in the lower right part of the photograph taken from Nemi town (photograph Caroline Lawrence).


Two painting of the Lake Nemi, one with the crescent moon reflected in the lake, the second with the sun reflected in the lake and the sea.

Enrico Coleman: Speculum Dianae – Lake Nemi Oil painting  - 1909

Enrico Coleman: Speculum Dianae – Lake Nemi
Oil painting, 1909

Verde e violaceo, cupo, muto, in mezzo al grande stormire dei boschi [...] Secondo le vicende della luce, il lago varia. Il suo verde si fa talvolta splendido e limpido come lo smeraldo; il suo violaceo si fa oscuro e vellutato come la foglia della viola tricolore”
G. D’Annunzio, Taccuini, 1897.

Sanford Robinson Gifford: Il lago di Nemi (1856-57) Toledo (Ohio), Museum of Art

Sanford Robinson Gifford: Lake Nemi (1856-57)
Toledo (Ohio), Museum of Art

Lake Nemi (1856-57), a work that Gifford painted for exhibit in New York while in Italy, is the first of his paintings to have the sun as a focal point of the painting using light and tone to unifying and simply the landscape. This was to become a trademark of his work. We can trace his fascination with the transfiguring effects of light on the natural landscape throughout the exhibits in such works as ‘A Gorge in the Mountains’ (1859) ‘Mansfield Mountain’ (1859) and ‘The Wilderness’ (1860).


Diana’s temple on Google Maps


See also the page on Alba Longa.

See also Caroline Lawrence‘s blogspot on a day around Albano lake, the 17th of september 2008.